Maia: The Good Mother | Honeyguide, Issue 7 | Winter 2024
An Oral History of the Bramble Caye Melomys| Honeyguide, Issue 7| Winter 2024
Potato Eaters |Amaranth Journal, Vol. 2 Issue 2| August 2023
Scarecrow Wishes for a (Dorothy) Gale | trampset | October 27, 2023
Mussels in Galway| Prime Number Magazine, Issue 233| Jan-April, 2023
Cleaved| The Orchards Poetry Journal, Winter, 2022 | December 8, 2022
Abscission| FERAL: A Journal of Poetry and Art, Issue 15| December 31, 2022
15th Street, Lawrence, Kansas| The Loch Raven Review, Issue 18, No. 2 |2022
Tart |Harpy Hybrid Review, Issue 9|November 2022
In Dublin on the Hottest Day on Record |Harpy Hybrid Review, Issue 9|November 2022
Parted|Harpy Hybrid Review, Issue 9| November 2022
Evening Farewell |Harpy Hybrid Review, Issue 9| November 2022
Into the World There Came a Soul Called Ida| Scrawl Place| July 23, 2022
Patrick Pendergast| FERAL: A Journal of Poetry and Art, Issue 13| June 30, 2022
Baltimore Solstice, December 22, 2018 | The Indianapolis Review, Issue 20: Spring 2022 | May 1, 2022
Mush, Winter 2021 | Atticus Review, Issue One Spring 2022 | April 15, 2022
Naples, 2018 | Snapdragon: A Journal of Healing and Art, Issue 8.1 Spring 2022 | March 12, 2022
Summer in Kansas City, 1980 | Little Patuxent Review, Issue 31 | Feb. 20, 2022
My Son Studies the Stars | Please See Me, Issue #9 | Nov. 19, 2021
Smoke | Please See Me, Issue #9 | Nov. 19, 2021
Johns Hopkins Sues Patients, Many Low-Income, for Medical Debt* | Please See Me, Issue #9 | Nov. 19, 2021
13 Ways of Looking at a Riot | Third Estate Art, Quaranzine Volume 3 | Oct. 31, 2021
Fairytale for My Son as His Saline Drip Infuses His Veins | Gingerbread House, Issue 47 | July 31, 2021
Triangle | The Copperfield Review | Sept. 14, 2020
Crossroads | Ayaskala Magazine | Sept. 5, 2020
The Lonely Naked Mole-Rat Cam | Free State Review, Issue 8 | Feb. 4, 2018
Various Collaborations | Ancient Party, Collaborations in Baltimore 2000-2010 | April 1, 2014
Open Heart Surgery | life in me like grass on fire, love poems | March 1, 2011
Marceline White 